(If
the Yahoo buttons do not re-appear DO NOT
REFRESH, Minimise and re-expand the page)
Get the latest Classical news from Ananova
Vernon
Handley CBE To Receive Lifetime Achievement
Award from Elgar Society
Vernon Handley
is one of the UK's leading Elgar interpreters,
as demonstrated in more than fifty years-worth
of performances and recordings of both the
major works, and the lesser-known music. In
recognition of his fine work, The Elgar Society
have granted Handley a Lifetime Achievement
Award, marking his unique contribution to
the performance and understanding of Elgar's
output, as well as his wider promotion of
British music around the world.
The award
was to have been presented by Society Chairman
Andrew Neill at the Royal Philharmonic Orchestra's
aptly-named Green and Pleasant Land concert
at Cadogan Hall on 13 May 2008 but Handley
is unwell and his place as codncutor has been
taken by Paul Daniel. The concert will include
works by two of Elgar's contemporaries: Walton's
Cello Concerto, with soloist Guy Johnston,
and Vaughan Williams' Symphony No.4; the concert
will begin with Elgar's Serenade for Strings.
The Elgar
Society was founded in 1951, following the
suggestion of Handley's mentor Sir Adrian
Boult, at a time when the composer's reputation
was at a low ebb. It has grown to become the
largest of all the UK composer societies,
with over 1,500 members from the UK and all
over the world. It has a number of branches
organising lectures and social events for
members, and also publishes, and sponsors,
recordings, books and live performances.
Society Vice
Chairman David Morris said: 'We are delighted
to be able to present this award to 'Tod'
to commemorate his lifetime of work for Elgar
and, indeed, for British music in general.
He has selflessly kept the flame alight for
Elgar's music, even when it has been deeply
unfashionable to do so, and through his performances
and recordings of both well-known and rare
works, has played a major part in its renaissance
today.'
NEW BOOK
ON YMA SUMAC PUBLISHED In April, 2008,
Yma Sumac - The Art Behind the Legend by Nicholas
E. Limansky was published by YBK Publishers
in New York City. Available internationally,
the book is considered to be the reference
on Yma Sumac. Profusely illustrated, it includes
a complete career overview, as well as an
indepth discussion of Yma Sumac's voice and
music.
In addition
to the book, there is also a CD-Rom which
is purchased separately, which reproduces
all the photographs in the book as well as
many that did not appear within the book and
numerous, unpublished, color photographs.
In addition, the CD-Rom also has over 150
pages of additional text - including a detailed
analysis of all of Yma Sumac's recordings,
a complete, international discography, range
sheets for 50 of her songs, a discussion of
the history of Peru, an analysis of the Exotica
movement in the United States, an indepth
discussion of the acuto sfogato (unlimited)
soprano from Mozart's time to our day and
the text for her 1955 Souvenir booklet.
The book
is available internationally from Amazon.com,
Barnes and Noble and Borders as well as many
other online sites.
article link:
http://www.musicweb.uk.net/classRev/2007/Aug07/Sumac.htm
Issued by Malcolm
Rudland with the co-operation ofthe Warlock
and Delius Societies
A Jaunt to Bourron-Marlotte
and Grez-sur-Loing homes of Arthur Heseltine
(Warlock's Uncle Joe) and Frederick Delius
from 4
to 6 July 2008
The last Delius
Society trip to Grez-sur-Loing in 2006 was
sold out in a week, so with only 20 places
for each society, see below how to secure
your place now
We meet at 11.30
on Friday 4 July at Eurostar St Pancras to
board the Eurostar to Gare du Nord, Paris,
where a coach will meet us to arrive for supper
at Hotel Novotel Fountainebleau Ury
On Saturday
morning the coach leaves the hotel for Marlotte
at 10.00 arriving c.10.30, where we are the
guests of Les Amis de Bourron-Marlotte. They
will host a welcome reception in Passage Heseltine
and conduct small
groups around the village to see Uncle Joe's
studio, some of his paintings, and his grave
At noon Danny
Gillingwater will lead a Sing-along-a-Warlock
with the Guildhall Brass Ensemble, culminating
in a parade with the wh:ole company marching
and singing The cricketers of Hambledon up
Passage Heseltine. Lunch will follow in one
of two local restaurants (price not included
in the total cost)
Anyone still
awake at 16.00 will be offered an expedition
on the miniature railway Tacot des Lacs, in
memory of Warlock's first venture into journalism,
when he wrote about the Van Railway in The
Locomotive 15 January 1912, p 13-16. Supper
will be back at the hotel c.19.00
On Sunday, we
are guests of Jean Merle d'Aubigne in the
garden of Delius's house in Grez-sur-Loing,
where the Guildhall Brass Ensemble * will
give a half hour concert * of music by Delius
inspired by that garden, to include
Eric Crees's new arrangements * of On hearing
the first cuckoo in spring and In a summer
garden
Lunch will be
at a local hostelry (price not included in
the total cost) before a coach leaves for
Gare du Nord to catch a Eurostar to arrive
at St Pancras c. 21.15
Maximum total
cost £240 per person for a single room
or £180 each when two people share a
double room
Prices to be
fixed by April 2008, to include the cost of
the return Eurostar journey, two nights bed
and breakfast, two evening dinners, and the
return coach journeys between Gare du Nord
and Ury and the journeys to Marlotte and Grez
To secure a
place, send a deposit of £50 per person
(cheques payable to Malcolm Rudland) to Rudland
Enterprises Unlimited TM 31 Hammerfield House,
Cale St. London SW3 3SG.
More details 020 7589 9595 or 07761 977155
or e-mail: mrudland@talk21.com
THE HYMN TUNE
INDEX: A PLEA FOR VOLUNTEERS from Nicholas
Temperley
A plan is being formed to extend the online
Hymn Tune Index (HTI). The present index was
published in four volumes in 1998, and an
online version has existed since 2001 (please
see http://hymntune.music.uiuc.edu).
At present it covers over 2,000 printed sources
from the Reformation to the year 1820, and
lists over 18,000 tunes in some 160,000 printings.
The ultimate target is to reach 1900, while
still covering all printed psalm or hymn tunes
associated with English-language texts. But
the quantities become so vast as the 19th
century wears on that 1900 is a very distant
goal at this point. As well as the hundreds
of 'mainline' hymnals of the various denominations
within Britain, there are many books of the
'West Gallery' type for country choirs, and
others for domestic use. There are huge numbers
of American hymnals, covering whole new categories
such as folk hymns, shapenote music, Mormon
hymns, gospel hymns, and negro spirituals;
and there are a growing number of books printed
in British colonies and missions abroad. Of
course, many tunes crossed national and denominational
boundaries, or came from secular sources.
It seems that the only way we can hope to
make progress is by a collaborative effort.
Sally Drage has agreed to help me co-ordinate
work on English sources. We are looking for
volunteers from different parts of the English-speaking
world. Meanwhile, we are devising a web interface
that will allow people to index books directly
from any library or from their personal collections,
with the help of explicit guidelines that
we will supply.
Ideally, we would go methodically through
the years in chronological order, starting
in 1821. But we know that many people are
interested in particular types or groups of
sources, and we wouldn't want to discourage
them from indexing these books as soon as
they can, rather than waiting until we reach
a particular year. We will then have to find
ways of filling in the 'gaps' not covered
by any such offers. For North America, an
organizing committee is being formed. It will
meet in 2007 at the University of Illinois,
which will continue to be the headquarters
of the HTI. Perhaps a similar committee could
be brought together next summer for the UK.
It is also possible, though not certain, that
we will be able to raise some modest funds
to cover travel or photocopying expenses for
those who are helping.
So I am now asking for volunteers who would
like to take part in this project over the
next few years. Please reply directly to Sally
and me jointly (sally@drage.me.uk,
ntemp@uiuc.edu)
giving your name and contact details, and
stating what types of source you would be
willing to cover - e.g. ''parochial tunebooks
in Sussex', 'hymn books in Birmingham public
library', 'Methodist hymnals', 'books in my
own possession', etc. Or, if you have no special
preference, please tell us if you would be
willing to index a list of books that we will
provide. If you don't use e-mail please write
to Sally Drage, 2 Grasmere Avenue, Congleton,
Cheshire CW12 4LZ.
Nicholas Temperley, Professor of Music Emeritus,
The University of Illinois